摘要
在音乐表演艺术中,"理解作品内涵,把握作品意蕴"是演奏者"诠释"作品的关键环节。笔者提出,音乐作品的书面呈现方式——乐谱来源于作曲家对生活的"理解";作品的音响是演奏者通过"乐谱"表现其对生活的"理解";"理解"作为中间环节,体现出音乐家与生活的"音心对映"关系。
Understanding connotation and grasping implied meaning of works is the key point to express works in music performance. The author proposes that music books, the text form of music works, comes from composers' understanding of living, and that sound is performers' understanding of living through music books. Understanding, as medium, expresses the relationship between musicians and living, which is correspondence between sound and mind.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2008年第4期69-74,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
音乐表演
理解
情感
体验
音心对映
Music performance, Understanding, Emotion, Experience, Correspondence between sound and mind