摘要
大唐时期,是我国历史上南北统一,疆域辽阔,经济发达的一个历史时期,也是文化艺术繁荣昌盛的一个时期。唐代妇女受国力强盛、风气开放以及中西方文化交流的影响,其妆饰唐前期表现为健康秀丽之美、唐中期表现为雍容华贵之美、唐后期表现为慵懒无力之美。而富丽堂皇是唐代妇女妆饰的最鲜明的审美特征,这种审美倾向,又反映出唐代妇女妆饰所具有的超功利性、新颖性和感染性的时代特点。
The Tang Dynasty was not only a historical period in the history of China with the North - South reunification, vast territory and developed economy, but also the one with the prosperity of culture and art. Women in the Tang Dynasty were influenced by the strong national strength, the open social atmosphere and cultural exchange between China and western countries, whose dressing presents the beauty of health and elegance in the early Tang Dynasty, the beauty of grace in the mid Tang Dynasty and the beauty of being indolent arid tired in the late Tang Dynasty. However, the most striking aesthetic feature for women's dressing in the Tang Dynasty is being beautiful and imposing. And this aesthetic orientation reflects the characteristics of the times of women's dressing in the Tang, namely, super- utility, novelty and infectiousness.
出处
《扬州职业大学学报》
2008年第3期16-19,共4页
Journal of Yangzhou Polytechnic College
关键词
唐代
妆饰
审美意象
the Tang Dynasty
dressing
aesthetic image