贞观雅诗学观析论

An Analysis on the Elegant Poetics Concept of Zhen Guan Dynasty

唐太宗及其文臣在反拨梁、陈宫体的诗学实践时大力标举"雅"诗学观念,并且创作了大量的宫廷雅诗。这类诗歌内容上以咏歌王政为雅,诗致教化为雅;美学品格上以中和为雅,典丽为雅。唐初的儒道合流又使源于儒家思想的雅诗学观吸收了一些道家思想的因子,表现在诗学追求上为以隐逸、清虚为雅。

With some poetics practises of the ＂Gong ti＂ poem corrected and confluence of the Confucianism and Dao thought, the conventional elegant poetics notion was valued specially in Zhenguan dynasty, and also showed some new characteristics. Its main content includes：emphersizing political function of poem , pursuing a kind of counteracting , elegant and flowering esthetic characters, regarding retreat as elegant things