摘要
殷商时期,女性已经开始更多地与美联系在一起。透过甲骨文我们可以看到,女性已经开始在文化理性层面成为美的象征,成为被男性欣赏的审美对象。殷商时期的女性审美不是一种纯粹的形式主义审美,更重要的是一种道德审美,人们开始对女性的道德价值进行美学上的审视。并且殷商时期的女性审美意识已经开始走向内敛,走向一种封闭的美感,它不仅和善联系在一起,更开始与恶联系在一起,女性审美呈现出复杂化的态势。
In the Shang Dynasty, feminine had already been contacted with beauty. Through oracle - bone inscription we can see that feminine at that time became the symbol of beauty in the field of culture, and became aesthetic object to male. What's more, during the Shang Dynasty, female aesthetic was not only a pure formal aesthetic, but also a moral aesthetic. People began to survey female moral value with a aesthetic eye. Just at that time female aesthetic consciousness began to became withdrawn, reserved and enclosed. It was associated not only with goodness, but also with badness. This was a complicative display of female aesthetic belief.
出处
《殷都学刊》
2008年第3期139-142,共4页
Yindu Journal
关键词
甲骨文
美
女性审美
形式审美
道德审美
oracle - bones inscription
beauty
female - aesthetic
formal aesthetic
moral aesthetic