摘要
长镜头理论兴起于西方,传入东方之后产生了巨大的影响。在当代中国,不管是电影艺术的创作还是电视纪录片的拍摄,关于长镜头理论和长镜头中所体现出来的纪实美学的探寻浪潮至今方兴未艾。本文就东西方长镜头的差异简要分析了在东方美学情景观照之下的东方式长镜头的内涵和外延。
The theory of long take (Sequence -plan) came from western world and had a great influence on the east word. In the modem time of China, such theory has been widely used in the shooting movie creation and the production of documentaries. In this article, the author has probed into the differences, connotation and meanings of the theory of long take under the context of oriental aesthetics.
出处
《绵阳师范学院学报》
2008年第9期104-107,共4页
Journal of Mianyang Teachers' College
关键词
长镜头
意境
儒道文化
诗画体现
theory of long take
context
Daoism culture
poetic expression