论“虚实”在魏晋六朝的发展及与文学创作的关系

Studies on Development of Subjectivity and Objectivity during the Wei-Jin and Six Dynasty Periods, and Its Interactive Relation with Literature Creation

中国古代文论中的"虚实"范畴源自老庄论"有无",在魏晋六朝时期经玄学之争实现了由哲学、美学领域向文学和艺术领域的重大转化,并在玄学思潮、言意之争、人物品评和文学创作等共同构筑的场域中,内涵日益丰富起来。文学批评史中的"虚实"范畴不单来自哲学和思想史,而且与文学创作有着密切的互动关系。魏晋六朝时期的文学实践为"虚实"含义的演进提供了肥沃的土壤。该文在论及"虚实"在魏晋六朝时期的发展面貌后,以刘勰"隐秀"说与当时"永明"诗风为个案,透视"虚实"发展与文学创作的互动关系。

The category of subjectivity and objectivity is originated from the theory of ＂Have（You）＂ and ＂Have-not （Wu）＂ from ＂Lao Zi and Zhuang Zi. During the Wei-Jin and the Six Dynasty periods, great changes happened after the argunment of metaphysics, its meaning has turned from philosophy feld and the aesthetics field to literature and art world. Its connotation enriches gradually with the help of the metaphysics trend of thought, the debate of language and meaning, and the literature creation. The category of subjectivity and objectivity in literary criticism history not only come from philosophy and thought history in the ancient times, but also has interactive close relation with literature creation. The literature practice during the Wei-Jin and the Six Dynasty periods has provided fertile soil for this category. The paper deals with the relation between Liu Xie＇s ＂yin-xiu ＂theory and ＂yong-ming ＂ poem style at that time as a case,in order to find the interactive relation between its development with literature practice.