《清明上河图》张著跋文考略

A Study of Zhang's Colophon on Qingming Shanghe Tu

文根据宋金的历史文化背景和文献材料,运用逻辑推理解读金代张着在北宋张择端《清明上河图》卷后的跋文,考证了密州文化与张择端的关系及其生平,指出张择端先试图通过科举走向仕途,未成乃"后习绘事"。北宋灭亡时,张择端未曾南渡。《清明上河图》系全本,绘制该图的下限时间在北宋大观年间(1107-1110)。该图经过宋徽宗收藏后赐予向家,向子韶是北宋收藏该图的最后一位藏家。本文查证了张著的生平事略及其在金章宗朝的地位,对《清明上河图》在明清的艺术影响作了客观分析。

The author brings Song and Jin Dynasty historical documents to bear on his reading of the Zhang's colophon composed in the Jin Dynasty for the Northern Song dynasty painting Qingming Shanghe Tu by Zhang Zeduan.The author examines Mizhou culture and its connection with Zhang Zeduan's life.Zhang Zeduan had attempted to make a career in the bureaucracy, but after failing in these attempts'later studied painting'.When the Northern Song Dynasty collapsed,Zhang Zeduan failed to migrate south with the court into exile.Qingming Shanghe Tuisa complete work and it must have been painted in the period from 1107 to 1110,during the Daguan reign of the Northern Song.The painting was originaUy in the collection of Emperor Huizong but later passed into the collection of the Xiang family.Xiang Zishao was the last collector of this work during the Northern Song Dynasty.The author examines the life of the man surnamed Zhang who wrote the colophon and his position as an official serving Emperor Zhang, and looks at the impact this work had on the art of the Ming and Qing Dynasties.