论《金光大道》的城市想象与呈现

On the Urban Imagination and Presentation in Golden Road

在十七年与文革时期的"农村题材"小说中,城市的书写是非常罕见的,而作为文革时期主流文学代表作的《金光大道》中却呈现了一个具有独特景观的"城市"。这种城市景观与空间结构的想象性呈现与主流意识形态对城市改造与规训是相契合的。城市在主人公的"成长"中承担了重要的意义,"进城"成了他精神"成长"的需要。城市不仅不再是残缺的形象,反而成了农村在新历史条件下重塑自我"整体性"的"镜像"。它承担起了一种新的职责:扮演一个巫师的角色为农村"驱邪"。

The urban description is seldom found in novels of rural theme before or during the Cultural Revolution, but a city with unique landscape appears in Golden Road as the representative works of mainstream literature. The imaginary presentation of such urban landscape and spatial structure accords with the reconstruction and disciphne of city by the mainstream ideology. The city plays an important role in the growth of the protagonist as Entering city has become the need of his spiritual growth. The city constructed is no longer a dead city or an incomplete image, but a spectral city that sublimates the farmer culture into one kind of elite culture and has become a mirror image that the countryside remolds the integrity under the new historical condition. It undertakes a new responsibility： Playing as a sorcerer to exorcize from the countryside.