《故事新编》荒诞感探究

Research on the Absurdity of Old Stories Retold

《故事新编》文体文类的复杂性,与鲁迅自觉追求荒诞感的营造是分不开的。其荒诞感主要通过古今杂糅的时空塑造,否定式的小说情节、结构模式,"油滑"的笔法表现出来,我们从《起死》篇的个案分析中,可以见出荒诞书写的深层意蕴:对庄子"无是非观"思想的解构式审视;指刺现实并加以批判;对启蒙的反省和追问。

The style complexity of Old Stories Retold is inseparable with Lu Xun＇s pursuit of absurdity. The absurdity is mainly reflected through spatio - temporal blending the past and the present, creating negative story plot, structural mode, and ＂flexible＂ writing style. Analyzing Qisi, the underlying significance of absurdity can be discovered. Zhuang Zi＇s view ＂neither right nor wrong＂ is decomposed, the reality is critically inferred in the story, and the enlightenment is contemplated and intensively questioned.