摘要
自2006年CCTV青年歌手大奖赛设立"原生态唱法"以来,"原生态民歌"在全国大受欢迎,并同时引发了关于"原生态民歌"的热烈讨论。无论是根据语言发生学、音乐社会学的原理,还是分析"原生态民歌"提法的发生过程、厘定"原生态民歌"概念及其定义,仍然聚讼纷纭,莫衷一是。然而,对"原生态民歌"的真正文化内涵和当代经济意义的理性深入的思考,以及对"原生态民歌"的抢救保护和传承发展,则是我们音乐工作者义不容辞的使命。
Since the Original Folk Songs category was set up at the 2006 CCTV National Young Singers' Contest, the "Original folk songs" have gained immense popularity and prompted spirited discussions. About the concept and the definition of the "original folk songs", different views and opinions have been put forward either in accordance with the principles of language generation and music sociology or by analyzing the generation of the term "original folk songs". However,it is our unshirkable responsibility as people working in the field of music to take a rational and in - depth look into the actual cultural content and the economic significance of the "original folk songs" and to work for their protection and development.
出处
《南昌大学学报(人文社会科学版)》
北大核心
2008年第5期110-113,共4页
Journal of Nanchang University(Humanities and Social Sciences)
基金
江西省社会科学"十一五"(2006-2007)规划课题"江西民间声乐艺术发展路径选择研究"(编号:06WX26)
关键词
原生态民歌
口传文化遗产
民歌传承
民歌发展
original folk songs
oral cultural heritage
inheritance of folk song traditions
folk song development