摘要
在文本分析的基础上,把样板戏看做是一种具有高度象征意义的符号系统。通过神圣的确立、仪式与仪式意义和集体表象的纯粹等三方面的论述,得出样板戏实际上是一种革命叙事象征类宗教的结论。
Base on the analysis of the text, the author treats the model opera of Great Cultural Revolution as a highly symbolized semiotic system, and discourses three aspects: the establishment of divine, ceremony and ceremony meaning and the pureness of collective presentation. The author draws the conclusion that the model opera of Great Cultural Revolution is actually a kind of revolutionary narrative featuring quasi-religion.
出处
《中南大学学报(社会科学版)》
2008年第5期706-710,共5页
Journal of Central South University:Social Sciences
关键词
样板戏
革命象征
类宗教
Model Opera
revolutionary symbolization
quasi-religion