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男权文化下的女性书写——以宋词为例

The Female Writing Shrouded in the Male Culture:With Song Ci poetry As an Example
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摘要 处于强势男权笼罩下的宋代女性词书写高潮的出现与宋代特定的社会文化心理和词体的审美特性有着密切的关系。以柔顺的姿容依附于强大的男权文化是其主流。但它更重要的意义是体现在对男权文化的抗争中。朱淑真、严蕊、李清照以各自独特的方式冲击着强大冷酷的男权文化堡垒,让后代的女性在对自我意义的扣问中找寻到知己的力量。 The appearance of the Song female writing shrouded in the male culture is closely related with the particular social culture mentality and aesthetic characteristics of Ci poetry of the Song dynasty. That the Song female writing is subjected to the male culture is its main current, with its protest against the male culture as its important significance. Zhu Shuzhen, Yan Rui and Li Qingzhao have pounded on the male powerful culture with their distinctive way respectively; so as to enable the future female poets may obtain confidant supports.
作者 王伟伟
出处 《山东师范大学学报(人文社会科学版)》 北大核心 2008年第5期132-135,共4页 Journal of Shandong Normal University(Humanities and Social Sciences)
关键词 宋词 女性书写 男权文化 Song Ci poetry the female writing the male culture
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参考文献3

  • 1[7]朱淑真.断肠诗词[M].长春:长春市古籍书店,1983.
  • 2[10]王促闻校.李清照集校注[M].北京:人民文学出版社,1979.
  • 3[7]胡仔.苕溪渔隐丛话[M].北京:人民文学出版社,1981.

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