朱光潜前期美学方法论

Zhu Guangqian's Aesthetic Methodology in the Early Stage

朱光潜前期的美学研究主要综合调和了弗洛伊德、克罗齐、尼采、布洛和立普斯等人的思想方法,在取舍折中中体现了科学精神和实证精神,反映了他的批判力和创造力。朱光潜以移花接木之法,使西方学术与中国传统学术相互参证,在比较和消化中创新。他的超脱思想正体现了审美的精神,且与现实互补统一。他还特别注意从感性生活经验和艺术实践中去探讨审美问题,使理论体系与感性体验融为一体,并使方法论在一定程度上与人生观相联系,从中实现西方科学精神与中国传统人文价值的融合。

Zhu Guangqian＇s early research in aesthetics integrates the thoughts of Freud, Croce, Nie- tzsche, Bullough and Lipps. In the process of making choices and compromises, seientific and positivistic spirits are reflected and his critical and creative potentials are exhibited. Zhu Guangqian thoughts into Chinese traditional thinking and makes innovation by selective assimilation. transplants western His transcendentalism, an embodiment of aesthetic spirit, complements encounters with reality. He emphasizes the investigation of aesthetic issues from life experience and artistic practice, integrating theory and perceptual experience. Methodology is also related to philosophy of life, harmonizing western scientific spirit and Chinese humanistic values.