摘要
文学总是以话语蕴藉的形态而存在,无论是作者还是读者,都只能通过这种话语蕴藉而参与到文学活动中。符号学理论认为,文学语言是具有审美功能的语言,美学功能不以传达了什么为中心,而以如何传达为中心。笔者拟从传达美学的角度分析文学符号的蕴藉。
Literature always exists as state of containing discourse. Only through the rich discourse which literary works convey, can readers well understand and appreciate the literary ideas and profound thoughts which the writers want to express; meanwhile, both the readers and the writers participate in literature through the rich discourse. Semiotic theory holds that the language in literature has aesthetic function which is centered by how to convey literary works, not by what to convey. This article analyses the rich discourse which literary signs contain from the view that literary works possess and convey aesthetic function.
出处
《西南农业大学学报(社会科学版)》
2008年第5期154-157,共4页
Journal of Southwest Agricultural University:Social Science Edition
关键词
文学符号
传达
词汇
句式
蕴藉
literary sign
convey
vocabulary
sentence pattern
contain