贝克特的非语言表达

Beckett’s Unwording

作为"一位晚期浪漫主义者",贝克特是"空洞的词语"的"语言表演者"。他的"非语言表达"通过削减语言,在否定的道路上,对语言进行抵制,并试图超越语言,结果证明语言的不可逃避性。这种语言观指导下的非语言文学是一种清晰的反文学;它给语言内不可化约的张力以声音和可见性,将表达的困境和语言的困境表现为人和艺术家的困境。总之,贝克特的非语言表达既用语言质询语言又盛赞语言的在场,从而成为意义的一种革新创造。

As a “late romantic”, Beckett is a “linguistic performer” of “inane words”. His unwording resists language and even seeks to go beyond it by subtractions and erosion, on a via negative, hence a demonstration of the inescapability of language. The literature of the unword based on this idea of language is lucidly anti-literary; it gives voice and visibility to the irreducible tension within language, and presents the aporia of expression and that of language as the aporias of human beings and the artist. In short, Beckett＇ s unwording is both an interrogation of language through language and a valorization of the presence of language, thus an innovative creation of meaning.