论姜耕玉的新诗创作及新诗理论

On Jiang Gengyu’s New Verse Writing and Theory

姜耕玉既是新诗理论家,也是优秀诗人。他倡导过新诗形式重建、重视汉语智慧等理论,主张新诗应该重视创作技法和建立艺术标准。在做人方式上,姜耕玉堪称积极的浪漫主义诗人,高度重视人的存在和人的精神自由。在做诗人的方式上,他应该称为重视技法的现代主义诗人。在诗歌创作中重视对思想深度和写作难度的追求,他的新诗写作是"从骨头里发出声音",他的很多诗都具有现代诗的"复合"、"暗示"、"反讽"和"朦胧"等精致风格。他在"中年写作"、"学者写作"、"游历诗写作"等方面为中国新诗提供了较好的榜样和较深刻的启示。

Jianggengyu is both a New Verse theorist and an exoellent poet. He advocates the reconstruction of the form of New Verse and theory of Chinese wisdom and claims New Verse should attach importance to writing skills and establish artistic standard. In terms of the way of living as human beings, he can be acclaimed as a positive romantic, who pays enough attention to the existence and freedom of spirit of human beings; as a poet, he can be named as a modernist poet who emphasizes writing skills. In writing poetry, he pursues the depth of thoughts and difficulties of writing. His New Verse writing is “voice from the bones”, most of which possess the delicate style of “complexity”, “allusion”, “irony” and “ambiguity” of modem poetry. In the case of “middle-aged writing”, “scholar writing” and “traveling writing”, he sets a positive example and offers inspiration to Chinese New Verse.