摘要
孔子提出的"诗可以兴"的观点本质上是一条思想延伸路线,而不是纯然的艺术理论。从艺术的诗之兴到思想的"诗可以兴"反映了中国古代哲学与原始诗性智慧的天然联系。兴辞的艺术手段里包含着象辞的诗性思维特征,在思想上与原始思想相传一脉。盛行于春秋时代的广泛的"用诗现象"是艺术的传播方式,也是重要的思想训练。孔门诗教的深层意义是思想方式的培养,由此形成了古典哲学"深于比兴"的传统。
Confucius' point of view of "Poetry Can Flourish" is essentially an ideological extension route rather than a pure art theory. The shift from the flourishing of poetry in the art to "Poetry Can Flourish" in ideol- ogy reflects the natural link between the ancient Chinese philosophy and the primitive poetic wisdom. The art means of Xingci contains the poetic ideological characteristics of Xiangei, with the same ideological origin as the primitive ideology. The phenomenon of widely "using poetry" prevalent in the Spring and Autumn Period is the spreading mode of art, and also the important ideological training. The deep meaning of Confucious poetic teaching is the training of ideological mode, thus forming the tradition of elassical psychological "deeper than Bingxing".
出处
《吉林师范大学学报(人文社会科学版)》
2008年第4期26-30,共5页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
诗可以兴
春秋用诗
孔门诗教
深于比兴
Poetry Can Flourish
poetry in the Spring and Autumn Period
Confucious poetic teaching
deeper than Bingxing