摘要
嗓音,对歌唱家来说比什么都重要;尊重嗓音,更是歌唱家务必遵循的声乐价值准则。因为用声不当,负荷过重而导致嗓音毁损,在声乐史上是有过教训的。20世纪意大利男高音迪·斯苔芳诺是一个著名的坏例子,女高音阿尼塔·切尔奎蒂(Anita Cerquetti)也是如出一辙。
Dramatic so- prano Anita Cerquetti was as famous as Renata Tebaldi and Maria Callas in 1950s.How- ever,she specialized in heavy spolanto roles,and her voice declined soon after.Cerquetti eventually retired from the stage in 1961,having only enjoyed a decade on the stage. She is a forgotten soprano.
出处
《歌剧》
2008年第9期41-42,共2页
Opera