摘要
歌剧是一门将音乐与戏剧、戏剧与音乐紧密结合而不可分离的艺术。歌剧不仅要“听”，更应该去“看”；而一个歌剧演员除了会“唱”，更应该会“演”。多年来，歌剧演出中一直存在着这样一种现象，演员只关心他今天唱得怎样，声音是否圆润统一，音色是否甜美，高音是否有力度，音准节奏是否有差错等等，而从不关心他今天的表演是否到位。忽视了对歌剧内容的认识，忽视了对剧中人物的塑造。
As the well- known American musicologist Joseph Kerman wrote in his book Opera as Drama,opera is built on the basis of indepen- dent musical structures.Drama is the basis for opera rehears- als,and the rehearsal process is one that searches for the pulse of an opera.How do directors realize their dramatic goals?
出处
《歌剧》
2008年第9期62-64,共3页
Opera
