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绘画透视教学中的思考——“移步换影”看中国画散点透视 被引量:1

On Teaching of Perspective in paintings
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摘要 中国画的表现,有它的民族传统特点,在透视表现上,中国画有自己的特殊处理方法,它既遵循透视上的基本法则与规律,又不拘泥于一般法则与规律.就是说画家可以根据自己的创作意图,打破焦点透视的视域范围去摄取景物,使画面所表现的内容更全面、更生动,这就是中国画散点透视法.从艺术表现的角度去看,散点透视在摆脱科学的理性束缚后,反而有更独特的艺术空间表现力,并留出更多的意境空间供画家、读者去游览.这正是东方绘画的特性之一. Chinese paintings are permeated by traditions. In terms of perspective, they have the unique treatment, which follow certain basic rules and regulations, at the same time are not formalistic, namely, the painters are in a position to break through visual realms of focus perspective and draw at will so as to make the paintings more vivid and global. This is one of the features of Chinese painting, ie, dispersal perspective. Cast off the yoke of rationalism, the dispersal perspective leaves more room for both the creators and the audience to enjoy.
作者 段韦华
机构地区 兰州城市学院
出处 《甘肃高师学报》 2008年第2期132-134,共3页 Journal of Gansu Normal Colleges
关键词 焦点透视 散点透视 空间表现 收敛众景 以大观小 移步换影 focus perspective dispersal perspective spatial relations panoramic painting discernment of the petty from the major scenes shifting
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参考文献2

  • 1王福阳.绘画透视学基础教程[M]福建美术出版社,2002.
  • 2李蜀光.绘画透视原理与技法[M]西南师范大学出版社,1994.

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