摘要
汤显祖的戏曲作品《南柯记》虽然并不像他的《牡丹亭》那样得到众口一词的好评,但其在写梦方面,梦境与现实处理的微妙自然,真真假假,显示了高度成熟的技巧与复杂的思想.成就斐然,并不输于《牡丹亭》。
This paper centers on the different expressions of Tang Xianzu's "Nanke Dream" and "Peony Pavilion". While the latter achieves unarguable successes, the former shows perfect techniques and comprehensive thoughts, especially in Dream's writing, which contains natural and subtle means dealing with dream and reality. As to this point, Nanke Dream is not a loser of the two.
出处
《甘肃高师学报》
2008年第4期26-28,共3页
Journal of Gansu Normal Colleges