“传统”包裹着的“现代”——周作人的“启蒙”文艺批评

"Modern Literary Criticism"Held in the"Tradition"——Zhou Zuo-ren's "enlightenment"literary criticism

周作人的文艺批评一直以来都是一种独特的存在,它是那么"传统"却又如此"现代",因而分析周作人1927年以前的文艺批评及批评思想,尝试探求它既"传统"又"现代"的缘由就显得尤其必要。周作人的文艺批评可在较为外在的形式、韵味层面和较为内在的思想内容两个层面上考查。他的文艺批评在文体形式、语言韵味及审美情调上更多地汲取了传统的养分,而在批评的内容和思想上由于对"人"的发掘和关注而更多地体现了其现代特征。此时周作人的基本批评心理和态度是指向社会与人的"启蒙",而且从启蒙的角度看周作人的观点至今都发人深省。

The style of Zhou Zuo-ren＇s literary criticism is unique, which is either ＂traditional＂ or ＂modern＂. It is necessary to analyze Zhou Zuo-ren＇s literary criticism and his critical thought since 1927 to find out the reason that he pursued the literary criticism both ＂traditionally＂ and ＂modernly＂.Zhou Zuo-ren＇s literary criticism falls into two aspects, the external form and the internal thoughts. Zhou Zuo-ren＇s criticism took in much traditional nutrients in form, hut held a great many modern features in the content and thought because of his exploration and concern about ＂human beings＂. In actdition, Zhou Zuo-ren had his basic critical mind and attitude towards the enlightenment of people and society, so it is inspiring to explore Zhou zuo-ren＇s standpoint from the perspective of the Enlightenment.