摘要
张爱玲与王安忆小说的人物塑造循着"新传奇"与"好神话"的不同艺术路径,承续着上海女性的故事,都具有传奇与神话的丰富的想象力及艺术表现的细腻,擅长用意象表现人物的心理。张爱玲的"新传奇"塑造出带有浓厚殖民地色彩的没落封建社会典型环境中的典型人物形象,在中国现代文学画廊中留下了经典的艺术形象;王安忆的"好神话"塑造出类型化色彩的人物,引起人们对社会的关注和思考。
Both ZHANG Ai - ling and WANG An - yi follow various artistic methods of "New Legend" and "Fairy Story" to create characteristics in their novels to continue the stories of women in Shanghai. Both of them are good at using image to describe characters' psychology with rich imagination in legend and fairy story, and carefulhess in art. In ZHANG's "New Legend", the downfallen feudalism with rich color of colony is adopted to describe the characters, becoming permanent artistic typical models in Chinese modem literature. WANG An - yi's "Good Fairy Story" creates characters with typical color, which cause social attention widely.
出处
《湖北职业技术学院学报》
2008年第3期36-41,共6页
Journal of Hubei Polytechnic Institute
关键词
张爱玲
王安忆
新传奇
好神话
人物塑造
ZHANG Ai - ling
WANG An - yi
New Legend
Fairy Story
Character Creation.