摘要
西方女权运动促进了西方女性主义文学与批评的产生和发展,在众多女性主义作家当中,凯瑟琳·安·波特是其中非常有特点的一位。在安·波特的短篇小说《偷窃》中,作者将主人公置于一种相对平等的前提下,以一种自然的手法展现出了一种超越时代的女性立场,这种立场体现了女性对于社会地位的最高追求。与此同时,安·波特作为一名女性主义作家本身所体现出的独特女性主义立场也具有一定的时代先进性。这种女性主义的全新标识,超越了其所处的时代,为我们分析20世纪西方女性主义文学带来了全新的视角和切入点。
During the 20^th century, the western feminism movements and relevant literary criticism have been developing and changing a lot. Among those feminism writers, Katherine Anne Porter was one of the most stylistic. In Anne Porter's short story Theft, she puts the heroine in the presupposition of relative equality, and naturally illustrates the women's standpoint which seems to excess the generation. And the standpoint shows the ultimate pursuit for women's social position; this pursuit is performed between the lines of writing, which is distinguished and respected. As a feminism writer, the unique standpoint of Anne Porter herself was advanced from the view of her generation. This standpoint is so advanced even to surpass the contemporary era, and the idea can bring a new way and perspective to study on the western and world feminism.
出处
《吉林师范大学学报(人文社会科学版)》
2008年第5期37-39,共3页
Journal Of Jilin Normal University:Humanities & Social Science Edition