客家戏剧在台湾——以客家剧本《吴汤兴》为例

Hakka Dramas in Taiwan:Taking Hakka Drama Wu Tang-Hsing for Example

客家三脚采茶戏自大陆江西赣南传入至台湾后,随时代演进与观众品味,逐渐发展为客家改良戏与客家大戏,放眼台湾客家剧团当今的发展,唯有荣兴客家采茶剧团一枝独秀,而其它的客家戏团仍旧以宗教活动的演出为主,对于客家戏曲的演出仍然是以传统戏目与在外台的戏剧演出的模式为基本。本文以台湾大竹堑地区为研究区域,选择荣兴客家采茶剧团的客家大戏舞台剧演出《乙未丹心─吴汤兴》作为研究对象,从客家戏曲在台湾的演进、仪式与戏剧的关系、与此剧团的表演,来探讨客家戏团今日的发展,剧本意涵分析,以及表演方式、角色诠释、音乐与舞台设计。申论在当今全球化与资本主义旅游表演兴盛的21世纪前10年,为求生存,这个剧团加入现代剧场表演形式与元素,呈现台湾戏剧由简朴逐渐发展到精致的风格。

Originated from the southern part of Jiangxi Province in China's Mainland, Hakka Three-Role Tea Drama in Taiwan, has gradually developed into Hakka Rectified Drama and Hakka Big Theater, with the advance of time and the change of audience＇s taste. Currently in Taiwan, only the Zon-Hsing Hakka Tea Troupe is outstanding, and the other Hakka troupes are still mainly doing their performances for religious activities. The foundation of Hakka performances are traditional repertories and outdoor stage performances mode. This paper explores the stage performance Wu Tang-Hsing produced by Zon-Hsing Hakka Tea Troup. From analyzing the devel- opment of Hakka Drama in Taiwan, the relationship between ritual and drama, and the performance produced by this troupe, this paper explores the development of Hakka troupes, script analysis, performing methods, interpretation of characters, music design and stage design, h is argued that in the contemporary globalization, capitalism, and the blossoming tourist performances in the first decade of the twentieth-first century, this troupe has added the modem theatre performing forms and elements in order to survive. Therefore, Hakka Drama in Taiwan is gradually developing from simplicity to exquisite style.