摘要
作为汉、唐的转折,魏晋南北朝时期的造物艺术体现了造物目的和美学内涵从单一到多元、艺术风格吸纳方式从保守到开放的转变,使造物者——人的主动性崭露头角,因而也丰富了中国造物传统。
As the turning point of Han and Tang Dynasty, the creative force art in Wei Jin Southern and Northern Dynasties represents the changing, the destination of divining and estheties connotation changing from the singular to Multiplication; artistic style changing from conservatism to openning. It makes the creator coming to the front. It enriches the creative traditions of China.
出处
《安徽建筑工业学院学报(自然科学版)》
2008年第5期43-45,共3页
Journal of Anhui Institute of Architecture(Natural Science)