中国花鸟画创作中的“三物”理论

The "Three -Physical" Theory of Chinese Flower and Bird Creation

中国花鸟画创作中的"三物",即物理、物情和物态。当代著名的绘画艺术大师张大千在前人的绘画理论和艺术实践过程中,提出了"作画要明白物理、体会物情、观察物态,这才算到了微妙的境界"的精辟论述,为中国花鸟画家进行艺术创作指出了一条非常明晰的理论依据,探物理、求物情、具物态不是孤立的,应该融会贯通,相辅相成。花鸟画创作通过扎实而又恣肆、娴熟的笔墨,塑造出灵动朴实、生动鲜活的艺术形象,才能使艺术作品感人至深、至臻妙境。

The ＂Three-Physical＂ theory of Chinese flower and bird creation refers to the physics, physical feeling and physical state. The contemporary painting art master Zhang Daqian is not only a genius in painting but also a generalist in Poets, physics , Handwriting and Literary Theory. His thesis painter may reach a delicate situation if he or she can understand ＂ ＇ ＂ experience ＂physical feeling＂, and observe ＂physical state＂ is a theoretic standard for the Chinese flower and bird painting creation. We should also pay great attention to the close relationships between the ＂three-physical＂ things in order to make the paintings vivid and impressive.