华语大片与中国电影工业

The Chinese-Language Big Film and the Chinese Film Industry

大陆华语电影,尤其是华语大片存在的种种问题,都与中国电影工业的结构不合理分不开。而中国电影工业的结构不合理,则与中国电影人对中国电影工业的认识,以及决定中国电影工业发展的体制、机制乃至产业化政策分不开。因此,从电影工业角度重新梳理、阐释中国电影的发展,是摆在当今中国电影理论批评界的一个极其迫切的课题。通过从新中国电影事业体制与电影工业布局、新时期与中国电影工业、电影机制改革与中国电影工业、电影产业化推进与中国电影工业的变化、华语大片与中国电影工业、中国特色电影产业化与中国电影工业等方面梳理中国电影工业的发展变化,可以总结相关历史经验,并展望未来的发展。

While, in the Chinese mainland, the problems of the Chinese-language films, especially the problems of the big films, have something with the unreasonable structure of the Chinese film industry, this unreasonable structure concerns the Chinese film andience＇s understanding of the Chinese film industry as well as the policies for determining its development system, mechanism and industrialization. Therefore, it is vital for the Chinese film critics, from the perspective of the film industry, to re-organize and re-interpret the development of the Chinese film. This essay, based on such aspeets as the film system and industrial distribution of the New China, the Chinese film industry of the new period, the film mechanism reform, the film industrialization promotion, the change of the Chinese film industry, the Chinese-language big film, and the film industrialization with Chinese characteristics, organizes the development of the Chinese film industry, and summarizes the relative historical experiences, and finally looks to the development of the future.