“跨媒介”视野下的电影叙事二题

A "Cross-Media" View of the Film Narration:Two Questions

从"跨媒介"的理论视野看,电影叙事已不再是单纯的、严格的、传统的银幕影像叙事,而是包容横跨了电视电影——荧屏影像、手机电影(包括电脑网络电影)——显示屏影像等多种媒体介质的影像叙事。银幕影像、荧屏影像与显示屏影像三种影像形态各自具有的媒介特征与不同的叙事偏重,表明着电影叙事载体的流变和电影叙事格局的分化,意味着当下的电影叙事正在从单一走向多元,从单纯走向复杂,正渐次形成多种叙事形态共存的发展态势和多层次竞争互补的文化格局。

From the view of the ＂cross-media＂ theory, the film narration is no longer pure, strict or traditional, which not only contains but also crosses film-television, that is, comprising a lot of media such as screen images and mobile telephone films （including computer or Internet films） as well as display images. Either the film image or the screen image or the display image has its own emphasis. This fact indicates the transformation of the film narrative carrier and the differentiation of the film narrative pattern. Also it predicates that the contemporary film narration is going from singularity to multiplicity, from simplicity to complexity, thus gradually forming a new cultural situation, in which the tendency of multiple narrative co-existing and the competition of multiple administrative levels are mutually complementary.