摘要
唐代大批文人士子由中原核心文化区移入处于汉文化边缘的岭南地区,造成了其身份和心态的巨大落差,这种落差感与岭南特殊的地域文化环境相作用,使唐人岭南诗歌在意象的特征和体系发生了明显的异变,形成了一个特色鲜明的、以"岭海和瘴疠"、"客和囚"、"虞翻和尉佗"三种形态为标志的岭南诗歌意象群落;这一意象群文化心理内涵丰富,普遍表现为"去中原化"审美倾向,有着突出的悲惧感特征。
After emigrating from a 'core civilization area' of internal area to Lingnan,the peripheral culture,lots of Tang Dynasty scholars and literates had a enormous feeling of fall in their identities and mentalities. This kind of feeling,under the special area culture of Lingnan,led to an obvious change in the structure and system of poetry images,and a community of images was formed,characterized by 'Linghai and miasma disease,outsiders and prisoners,Yu Fan and Zhao Tuo' ,which abounded in cultural connotation and expressed in the trend of 'decentralization' ,with a sensation of being 'sorrowful-fearful'.
出处
《暨南学报(哲学社会科学版)》
CSSCI
北大核心
2008年第5期90-95,共6页
Jinan Journal(Philosophy and Social Sciences)
关键词
唐诗意象
岭南地域文化
诗歌
历史文化
Poems of the Tang Dynasty
Images
Lingnan
Location culture