摘要
在北宋后期的辞赋作家中,晁补之是一位具有独特地位的辞赋作家和辞赋研究家,其成就主要在骚体的创作和楚辞的研究方面。晁补之的辞赋观颇有独到之处,他没有把屈原的作品看作一般意义上的"文学",而是将其视为道统传承的一个重要环节;认为创作楚辞也不单单是文学创作,而是在发扬忠君的精神。他的辞赋很少涉足现实政治内容,而是着重表现个人的内心世界,表现自己对人生的种种感受。和同时代作家的辞赋相比,他的辞赋哲理思考的成分要少些。晁氏赋作长于罗列词汇,铺张扬厉;善于谋篇布局,追求萦纡曲折的结构。他还擅长模仿,对前人、别人的辞赋往往模仿有余而创新不足。
Among the writers in the period of late Beisong,Chao Bu-zhi has unique position. His main achievements lie in the creation of Saoti and research of Chuci. Chao Bu-zhi does not take Qu Yuan' s works as "literature" in its general meaning, but a key link in the transmission of Daotong. He thinks that,the creation of Cifu is not merely literature creation ,but also enhance the spirit of loyalty to emperors. Chao Bu-zhi's Cifu work seldomly involves in political contente,but mainly reveal the individual's inside world and all kinds of feelings to life. Compared with the other writers in the same period, his work does not expound philosophy thinkings. He is good at displaying words,imitating others'Cifu work and arranging the structure of work as well.
出处
《齐鲁学刊》
CSSCI
北大核心
2008年第6期121-127,共7页
Qilu Journal
基金
国家社会科学规划基金青年项目"宋代辞赋的嬗变"(07CKW023)