摘要
冯玉奇,现代通俗小说家,四十年代在上海滩红极一时,但在文学史上一直处于被忽略的历史地位。冯玉奇"剧作家"身份的解体这一重要文学事件在文中得以厘清,《舞宫春艳》和张资平《苔莉》的横向对比透视出冯玉奇创作中存在的媚俗弊端,由《礼拜六》杂志拒登冯玉奇小说探讨"媚俗"这一文学倾向对当代文学的警示和启迪意义。
Feng Yuqi, a Chinese contemporary novelist, was prestigious and prolific in Shanghai during 1940s, but he was ignored in the history of Chinese literature. In this paper, an literary accident concerning "dramatist" in his life was depicted. The disadvantages of his writing skills can be seen from comparing Tai Li with Wu Gong Chun Yan. Kitsch is the main reason for his Wu Gong Chun Yah to be declined the publication by Saturday. This literary trend is edificatory for contemporary literature.
出处
《宁波教育学院学报》
2008年第5期58-60,113,共4页
Journal of Ningbo Institute of Education
关键词
冯玉奇
《舞宫春艳》
文学史
媚俗
Feng Yuqi
Wu Gong Chun Yah
history of literature
kitsch