摘要
在北京大学画法研究会众多导师当中,徐悲鸿是一位非常重要的人物。作为蔡元培美育思想的追随者和实践者,徐悲鸿"改良中国画"的观念和"引西润中"的信念,使得蔡元培和陈师曾之间不同艺术主张潜在的矛盾转化为具体操作上的分歧,这是陈师曾辞职及画法研究会最终解体的重要因素。
Among the lots of professors in Approaches to Painting of Beijing University School,Xu Beihong is a very significant one.As a follower and practioner of Cai Yuanpei’s aesthetical education thoughts,Xu’s idea on ‘improving Chinese painting’ and faith of ‘making use of the western approaches to promote Chinese art’ made the potential conflicts between Cai Yuanpei’s and Chen Shizeng’s art claims become differences on specific practical ways,which became the important reason of Chen’s quitting and the fianl disorganization of Approaches to Painting of Beijing University School.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2008年第6期43-45,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
北京大学画法研究会
徐悲鸿
蔡元培
陈师曾
Approaches to Painting of Beijing University School
Xu Beihong
Cai Yuanpei
Chen Shizeng