新感觉派土壤里的两朵奇葩——施蛰存与川端康成的创作思想比较

The Two Marvelous Flowers in the New-Feeling Literature——Comparison of Shi Zhicun's and Kawabatayasunari's Creation Ideas

施蛰存与川端康成是中日新感觉派文艺土壤里生长出的两朵奇葩。他们在西方现代主义文学试验中转而走向传统,从而取得了不菲的创作成就。他们在新感觉文学实验中对西方现代主义的借鉴各有侧重。川端康成倾向于现代主义的虚无与日本传统物哀美的有机融合;而施蛰存着重于弗洛伊德的性心理分析,其笔下的传统历史题材与现实题材,以及传统的道具与场景如上元灯、梅雨之夕、古塔、扇等,只是叙事的偶然因素,或者说演绎现代心理的道具。

Shi Zhicun and Kawabatayasunari are two marvelous flowers in the new- feeling literature. They inclined to the traditional culture in the modernism and succeeded in literary creation. They placed extra emphasis on the different aspects of the modernism respectively. Kawabatayasunari preferred to combine the nihility in modernism with Japanese traditional grief touching beauty, while Shi Zhicun stressed the Freudism Psychoanalysis. The traditional history materials and modern materials in Shi Zhicun＇s works, as well as the props, for example, the lanterns, the plum rains, the old pagoda, fans were simply incidental factors of narration or the properties of expounding Freudism.