摘要
本文对20世纪末意大利电影界中具有代表性的作品《云上的日子》、《海上钢琴师》作了分析。对前者所表现的现代两性关系的幽渺精神世界,进行了宗教哲学的阐释;对后者所展现的现代寓言式的特殊个体,作了存在主义的分析,意在探讨具有新现实主义传统的意大利电影在当今的发展走向。
This thesis analyses Beyond the Clouds and The Legend of 1900, two representatives of Italian films by a renowned director of the old generation and a rising director from the new generation, respectively. The analysis on the former focuses on the .,ragile and delicate spiritual world of the sexual relationship in the complex modem life, employing an explanation based on philosophy of religion; the latter utilizes existentialism to analyze special modem allegorical individual presented in the film. These analyses aims to serve as a revelation to show the general trend of development of the Italian films that have the tradition of Neorealist.
出处
《重庆三峡学院学报》
2008年第6期104-108,共5页
Journal of Chongqing Three Gorges University