《刘三姐》震撼中外的人文内涵

The Humanities Connotation of Shocks China and Foreign Countries

上世纪50代末,彩调剧《刘三姐》从民间骤起,迅速遍及广西,半年间创造了演员近6万人、观众1200万人的会演壮举,接着震撼北京,波及全国。改编成电影后,跨出国门,走进港、澳、台、日本,风靡东南亚。不久,一场政治风暴将它打倒。8年后它重新奋起,再上北京,又跨出国门。大起、大落、再起,缘于《刘三姐》所积淀的中华民族艺术精华,以及所依附的不同时代的政治因素。

Abstract ： At the end of 50＇s of last century, ＂Liu Sanjie＂ the play, which suddenly came from the folk, rapidly spread Guangxi. In only half a year it created a performance of magnificent feats in which there were near 60,000 actors and actresses and an audience of 12,000,000. It first shocked Beijing, affected the whole nation, then stepped out of the door of our country, entered Hong Kong, Macao , Taiwan, Japan, Singapore and southeast. Soon, a political storm overcame it and heated it into the hell. But eight years later it rose spiritedly again, reached Beijing, went overseas to many other countries. Why Liu Sanjie dramatically rose, declined greatly and revived again and again is that millions of years＇ nationality art essence has been accumulated in it, together with political connotation in different times attached.