20世纪中国悲剧理论的历史走向

Theoretical trend of Chinese tragedies

通过描述20世纪中国悲剧理论的百年历程,勾勒出中国现当代悲剧理论对于异域文化多次选择的发展轨迹。中国现当代悲剧在众声喧哗中开始,现代主义、现实主义和浪漫主义相继粉墨登场,经过历史的选择,现实主义逐渐确立了主潮地位,其过程却充满曲折,经过伪现实主义,又回归传统现实主义,最终走向开放的现实主义,清晰地呈现出由多元到一元、又由一元到多元的历史走向。

Modern and contemporary Chinese art has developed hand in hand with the several options of foreign cultures. Modernism, Realism and Romanticism have trodden the stage in suceession, and finally Realism has gradually established itself as the mainstream of history. The development of Realism is circuitous. It has experienced popularity of pseudo- Realism, the return to traditional Realism and the move towards open Realism, a course which goes firstly from pluralism to monism and then from monism to pluralism. Chinese tragedies in the early part of the 20^th century and those in the last period enhanced each other＇s beauty, thus revealing that good prospects of tragedy entail openness, pluralism and ＂artists＇courage＂.