文艺“民族形式”论争及其对“五四”新文学重新评价的深层根源探析

The Deep Source of the "National Style" Argument of Literature and Art and Re-evaluation of "May 4th" New-vernacular Literature

抗日战争爆发,中国共产党从民族国家利益出发进行了民族主义的政治文化转向,在这一背景下,延安开展了文艺"民族形式"运动。对"五四"新文艺重新评价成为"民族形式"论争的焦点,是形成文艺"民族形式"论争思潮的关键因素。对"五四"新文学重新评价的深层根源在于中国文学民族化与现代化的先天悖论,在于文学所属意识形态发生转变的政治历史需求。

When the anti-Japanese War broke, the Chinese Communist Party began a political culture turn of the nationalism out of the benefit of the nationa and the state. Under such situation Yan an launched a literary ＂National Style＂ movement. And the reevaluation of ＂the May 4th＂ new-vernacular literature became the focus of ＂National Style＂ argument, and the key factor of forming the ideological trend of the literary ＂national style＂ argument. The deep source of the re-evaluation of ＂May 4th＂ new-vernacular literature lies in the innate absurdity of the nationalization and modernization of Chinese literature and art and the political and historical needs of the ideological change of literature and art.