摘要
莫扎特的《伊多梅纽斯》是一个与爱、牺牲、海难、战争有关的故事。或许有人会将《伊多梅纽斯》视为“鉴赏家的歌剧”。乔瓦尼巴蒂斯塔·瓦雷斯科（Giambattista Voresco）的台本有种种缺陷、不臻完美，然而是年仅25岁的莫扎特突破了以往正歌剧的写作惯例（颇受格鲁克歌剧改革的影响），将正歌剧创作发挥到极至，之后他的歌剧创作重心完全放在了德国歌唱剧和喜歌剧上，但无疑这部作品是莫扎特音乐创作更趋成熟的一个里程碑。
On October 15, San Francisco Opera did a yeo- man's job of providing Idomeneo with every advantage enjoyed by more popular offerings—includ- ing some stellar voices.Tenor Kurt Streit lent power and pres- ence to the title figure,endowing his passages with a superb sense of legato and portamento,particu- larly in the opera's best-known aria,'Fuor del mar'.
出处
《歌剧》
2008年第12期20-21,共2页
Opera
