多元对话中的后现代性(二)——一个被红学界忽视的审美元素

Postmodernity in Diversified Dialogues (2):An Aesthetical Element So Far Neglected in Research on Hong Lou Meng

运用哈桑所强调的"共时"概念,从"迷宫"、"学术平民化"、"死亡意象"、"人本主义"等属于后现代文学的流行代码来重新解构《红楼梦》,考证《红楼梦》在创作上与当代西方文学保持的某种契合即前瞻性,阐释红学研究中诸多自相矛盾的现象,解构《红楼梦》文本的多元性及其历久弥新的审美奥秘,为其审美选择重新定位。

The present paper, using the ＂synchronic＂ concept stressed by Ihab Hassan （1925 - ） and the terms of postmodern literature, including ＂maze＂, ＂academic popularization＂, ＂death images＂ and ＂humanism＂, attempts to re-deconstruct Hong Lou Meng, one of the four Chinese classics. Probing into the coincidence of the novel with contemporary Western literature, it reveals and accounts for the many contradictions in the hitherto research on the novel, and tries to deconstruct the novel＇ s diversified texts as well as its longstanding aesthetical mysteries, thereby relocating its aesthetical alternatives.