《金瓶梅》:对传统仪式信仰的颠覆

Chin Ping Mei:a Subversion of Traditional Beliefs and Rituals

《金瓶梅》以现实为题材,演示的是世俗的枭雄,为的是酒、色、财、气:通过以家喻国、以血缘伦理喻政治伦理,在诸多的仪式叙事中,对父子、夫妇、兄弟、姐妹、主仆乃至神灵的信仰进行了"反讽"或"戏拟"式的摹画,完全颠覆了传统仪式的内涵,从反面说明了身不修则家不齐以致国不治、天下不平,唱的是一首劝惩之歌。

Chin Pin Mei,based on reality of the time ,by depicting the ambitious men entangled with wine, women and money, satirizes the relations between father and son, brothers and sisters, masters and servants and all the way up to the belief in gods, in a cates that without selfcultivation, there way totally subverting the traditional is no regular family,nor a governed rituals and moralities, thus advocountry nor a peaceful world.