摘要
宋词的总体发展过程存在着"明修栈道"和"暗度陈仓"两种不同方式的诗化倾向。张炎在坚持并肯定词的音乐性、写意性和传统婉约词深婉曲折特质的基础上,自觉、全面地建构了以"清空"和"雅正"为核心的词学理论体系,把"暗度陈仓"式的词的诗化推进到一个新的阶段。这是一种诗化倾向的词学理论,而不是将词变为诗的诗学观念。
The complete development of Song Ci demonstrates two different poetic tendency which "pretends to prepare to advance along one path while secretly going another". ZHANG Yan sticks to and affirms musicality, abstractness and complications of Ci and he constructs his theoretical system of Ci spontaneously and completely based on the concepts of "void" and "elegance" which propels the "secret purpose of certain poetic writing" onto a new stage. This is a poeticized theory of Ci, but not a poetic concept which turns Ci into ooetrv.
出处
《求是学刊》
CSSCI
北大核心
2008年第6期100-105,共6页
Seeking Truth
关键词
张炎
词学理论
诗化倾向
词体特征
ZHANG Yan
theory of Ci
poeticization
features of the style of Ci