摘要
从形式美学的视角来看,文学的历史就是文体演变的历史。文体作为文学的艺术形式,就是文学的本身和存在,文类是它的先验形式,语体、文本和风格是它的主要构成。注重语言的声乐规律、不在乎文学与非文学的界分,以及文类之间的交叉和互文这三个方面,当是汉语文体的历史体性。新时期以来,先锋文学的形式突进和网络文学的超文性等,以前所未有的情势催生了汉语文体的当代新变,从而将文学变体问题凸现到学术前沿。
From the perspective of formal aesthetics, literary history is acturally the history of evolution of literary style. Literary style, as a literary art form, is literature itself and its existence. It is mainly made up of language style, text and form. And genre is its prior form. The history of Chinese style can be divided into three parts. First, it emphasizes music principles of the language. Secondly, it does not pay much attention to the distinction between literature and non - literature. Lastly, there are junction and intertextuality in the text genre. In the New Period, the rapid development of the avant - garde literature and the hypertextual feature of Internet literature have promoted the current new variants of the Chinese style at an unprecedented pace, thus bringing the issue of literatury variants to the academic front.
出处
《上海师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第6期57-63,共7页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
教育部人文社会科学重点研究基地2006年度重大研究项目"艺术与语言的关系研究"(项目批准号:06JJD75011-44010)
关键词
文体
形式
变体
style, form, variants