民国初期“人体模特儿事件”的社会学分析

Sociologic Analysis on the "Model Event" in the Beginning of the Republic of China

清末民初的画家较之传统的画家不仅在社会地位上有了本质上的提升,他们的艺术活动也有了更大的自主性。他们有了自己的活动空间,形成了艺术场域独特的艺术法则。民国初期"人体模特儿事件"折射出当时美术场域的相对独立性,画家们对艺术法则的维护彰显了他们文化生产的自主性,并且反映了当时中国知识分子社会地位角色的转变。

The artists in the beginning of the Republic of China were different from traditional artists in terms of social status and freedom of artistic activity. They had their own space of activity and formed their unique artistic rules in the artistic field. The ＂Model Event＂ reflects the relative independence of the artistic field at that time, and the protection of the artistic rules by then artists reveals their independence in cultural creation and mirrors the transition of roles intellectuals in the beginning of the Republic of China.