生命体验与革命狂欢——曹禺与老舍戏剧比较研究之一

Life's Experience and Revolutionary Madness——Compare Cao Yu's drama and Lao She's

曹禺始终执拗地追寻生活表象后面蛰伏的人生困境,以强烈的生命体验和诗性描写,给读者以强烈的艺术震撼和畅快淋漓的审美享受,在全方位的戏剧描写中,曹禺努力探求和张扬一种人类生存与发展的生命原力与人文精神,引发读者对人之命运的辽远思考,这或许是曹禺剧作最为迷人的地方。老舍的两次话剧创作高潮都是在革命狂欢的历史背景下出现的,两次话剧创作高峰的共同之处是与政治和革命的紧密联姻。若没有革命激情的涌动,稳重理智的平民小说作家老舍可能不会从事话剧创作,面对革命狂欢,老舍以他的勤奋和才智,为中国剧坛贡献出数量极为丰富的话剧作品,凝结着他对革命的思考和话剧艺术的不懈探索。

Cao Yu stubbornly looked for life＇s dilemma behind living appearance all the time, by means of fervent life＇s experience personally and poetic description,to supply readers with fervent artistic shake and delighted enjoyment to appreciate beauty. In omnibearing dramatic description, Cao Yu searched for and praise life＇s motivity of mankind to exist and development and humanities spirit, they initiate readers to think pepoleitestiny. Revolutiong is the background of Lao She＇ twice moder drama creative high tides. If Lao She didn＇t have revolution passion, he wouldnt go in for modem drama. By his diligent and talent, Lao She had contribte lot＇s of drama works, these works condense Lao She think Chinese revolution and search for modem drama.