摘要
审美,从来就是自律与他律的统一体,文学就如地球的运转,从来都是"自转"和"公转"并行的,单方面抛弃哪一种旋转,都是违反文艺创作和审美的事实。内蒙古的文学批评在这个方面与审美自律的所谓"现代性"保持了一种节制的疏离,个别理论家和批评工作者还有意识地进行了反思。内蒙古的文学批评在这一点上是一种奇迹,是一种坚持辩证法所取得的地域性胜利。
Aesthetic judgment is always a process involving the aesthetic object itself and the people that judge it, which is just like the movement of the earth including earth rotation and revolution. Ignoring either part is against the reality of literary creativity and aesthetic judgment. Inner Mongolia literary criticism has been alienated restrainedly from the so - called "modernity" of the former part of the process of aesthetic judgment, on which some theorists and critics have reflected deliberately. It is a miracle in Inner Mongolia literary criticism and a regional triumph of dialectics.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2008年第6期92-96,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
内蒙古自治区社会科学规划项目(项目批准号:0550)
关键词
审美自律
现代性
有度的追求
节制的梳理
aesthetic self - discipline
modernity
controlled pursuit
restrained alienation