摘要
长期以来,在哲学和社会学领域,地点作为独立概念的研究一直都未受到应有的重视,直到人文地理学家如段义孚等人对之产生关注,并且不断丰富和修订其涵义。在该文中,除了追溯地点,研究发展的历程,作者还以法国电影《天使爱美丽》为例,展示了导演让·皮埃尔·儒内对于地点独具匠心的理解和创造性的运用。通过对影片进行文本分析,探讨了地点的多种维度,同时,借助空间和景观两个相关概念,进一步阐释了地点的意义,并且提出未来认知地点的方式继续深化的可能性。
As an independent concept, location has been ignored for a long period in philosophy and sociology study until being focused by cultural geographers such as Yi-Fu Tuan. This article takes the movie Amélie as an instance, demonstrates how the director Jean-Pierre Jeunef uniquely understand space and use it in a creative way. Through text analysis of the movie, the author discusses several dimensions of the location, interprets the meaning of place in virtue of two relative concepts as space and landscape, and proposes the possibility of further cognition about location.
出处
《华中建筑》
2008年第9期1-4,共4页
Huazhong Architecture
