摘要
钟嗣成和贾仲明为元代曲家所写的[凌波仙]吊词,从根本上肯定了元代曲家这个创作群体的功业所在,纠正世俗对他们的偏见,肯定他们所从事的事业也是"不朽之盛事"。在慨叹他们的命运时,钟氏往往以传统的达兼标准来评判这些反悖传统的作家,陷入了一种悖论之中,而贾仲明则表现出与钟嗣成迥然有别的思想倾向与取舍标准,这很大程度上是缘于两人不同的人生追求与处世态度。在吟咏曲家习性、生活态度时,两人也表现出差异。关于戏曲关目,他们重"奇"而不惟"奇";语言方面,崇华丽而不废朴实;对戏曲声韵和社会效果都异常重视;还对元杂剧的繁荣原因作了精辟的述说。另外,贾仲明的吊词还对作家之间的交往多有涉及,具有重要的史料价值。
The memorial poems by Zhong Sicheng and Jia Zhongming confirmed the achievements made by the group of Yuanqu opera writers. But when signing for their fate, the two authors presented different attitude due to their different life goal and philosophy. Zhong judged these anti-traditional writers according to normal standards while Jia adopted a different alternative in evaluating them. Differences also appeared in their description of those writers’ temper and life attitude. Yet both Zhong and Jia expressed similar opinions on the opera structure and language. They emphasized the opera rhythm and social effect, and made an exploration on the prosperity of Yuanqu opera. Besides, Jia’s poems also gave an account of the communication between the writers, which provides the important historical data for research.
出处
《东南大学学报（哲学社会科学版）》
CSSCI
2008年第6期104-109,共6页
Journal of Southeast University(Philosophy and Social Science)
