摘要
司空图著的《二十四诗品》所体现的哲思美是《诗品》在整体内容上对中国传统美学的重要贡献。《二十四诗品》的哲思美主要体现在它对"体"和"用"、"形"和"神","真"与"素"等几对关系的探讨上。司空图现实生活中儒家诗美理想的无法实现是他转向追求玄虚诗美的内在原因。
The Philosophical beauty shown in Twenty - Four Poetic Styles written by Sikong Tu was an important contribution to the traditional Chinese Aesthetics. The beauty of this work embodies in its discussion on the relations between forms and contents. Because Sikong Tu found the Confucian aesthetics on poetry cannot be achieved in the real life, he turned to pursuing ideological aesthetics.
出处
《湖南第一师范学报》
2008年第4期112-113,共2页
Journal of First Teachers College of Hunan
关键词
《二十四诗品》
哲思美
融合
Twenty - Four Poetic Styles
philosophical beauty
fusion