曾国藩文论与书论的互通

The Mutual Communication Bbetween Zeng Guofan's Literary and Calligraphic Theories

作为清代的末世鸿儒,曾国藩不仅在书法和文学的创作上取得了较大成就,而且在理论上注意到了二者的相通之处。文论与书论旁征互引,交相辉映。或将文论导进书论,或将书论引入文论,或就其类似之处而互相发明,形成了一系列真知灼见。这主要包括文学和书法都需具备"气"这一重要因素、区别阴柔或阳刚之美、运笔都要蕴藉圆适、讲求笔阵、道兼众妙等。

As a scholar of the late Qing Dynasty, Zeng Guofan not only made great achievements in the creation of calligraphy and literature, but aslo noted the two things have mutual communication in theory. He quoted or cited as proof or evidence from each other and made each other more beautiful. He guided literary theory into calligraphic theory,or introduced calligraphic theory into literary theory, or discovered and illuminated each other on their simi- larities, and all these formed a series of insights. Zeng thought that literature and calligraphy should have an important factor ＂Qi＂, writing should be reserved and mellow, striving for the array of writing, combining multibeauty, distinguishing the beauty of femininity and male, and so on.